|
When
Breath Takes Shape
Story by Amy Jones
Photos by Dina Pielaet
Though it’s described as a rigid uncrystallized
liquid, it does not conform to any category of solid,
liquid or gas. History reports its discovery as an accident,
stumbled upon when Phoenician sailors were attempting
to cook dinner on a beach in 77 A.D. and happened to
intermingle coarse sand, soda ash and heat. The light
beaming through glass in churches was deemed to be a
physical manifestation of God. Glass has been used as
currency and treasured as precious. When it was first
blown out to create vessels in Babylonia around 250
B.C., it created an ever growing industry. Glass was
the first industrial endeavor undertaken in the new
American colonies. For centuries it has enchanted individuals
with its mysterious properties and shored up the belief
in alchemy. For these reasons and more, it consumes
the imaginations of the artisans that overcome the challenges
of manipulating it today as it did in ancient times.
At the gala opening of the first Ventura
Studio Artists Tour organized by the Focus on the Masters
program, artist Teal Rowe arrived in a striking gown
made of hand-blown glass joined with brilliant purple
fabric. Her appearance literally stunned people where
they stood with the complete incongruousness of seemingly
breakable glass displayed on a seemingly vulnerable
human form. Teal’s nonchalance suggested that
the unorthodox apparel could be an everyday occurrence,
a way of life. In her Rowe v. Regular world built moment
by moment, glass dresses, glass violins and glass canvases
are a way of life, along with road races across Mexico
in vintage cars. Her adventures in the La Carrera Pan
Americana race with husband Bill Erickson will have
to be another story.
Teal traveled a long road to discover
glass art, which started with her family’s occupations
balanced between ranching and the arts – life
and its mirror. Ranching literally grounded Teal in
the simple truths of life’s cycle and organic
beauty. It’s not surprising that her first exposure
to art was at her grandmother’s potter’s
wheel. Teal said that her grandmother was a “strong
backbone of my art. She taught me center.” Teal
has always pursued art as a way of life, studying classical
fine art as well as a variety of crafts. She traveled
to wherever the masters were to learn, and on this journey
came across a “guy with a hot shop in the back
of his bus,” who introduced her to glass. She
was hooked immediately and now tends her own furnace
as one would an infant.
If you would like to continue reading our Featured
Artist Story for Winter 2004 please call: 805.641.9303
or click here for details on
how to order back issues.
|